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PK80 Daybed

 

Brand: Fritz Hansen

Regular price
$ 17,499.00
Sale price
$ 17,499.00
Unit price
per 

DimensionsW 31.5" · H 11.8" · L 74.8"

Delivery considerationOversized item. Measure your doorways and stairs.

The PK80™ daybed comes with a cushion upholstered in a select range of leather types as well as in canvas.

It rests on a painted plywood bedplate, and the cushion core is made of granulated foam and hairlok (natural fibres and latex)

The base is made of satin brushed stainless steel.

  • Length: 74.8"
  • Width: 31.5"
  • Height: 11.8"
  • Weight: 72 lbs

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 Please contact us to confirm stock. If in stock it takes about 5-7 days before it ships.

This item can be returned within 30 days if you're not satisfied.

About the...

PK80 Daybed

The PK80™ daybed comes with a cushion upholstered in a select range of leather types as well as in canvas. It rests on a painted plywood bedplate, and the cushion core is made of granulated foam and hairlok (natural fibres and latex). The base is made of satin brushed stainless steel.

PK80 Daybed by Fritz Hansen, showing pk80 daybed in live shot.
PK80 Daybed by Fritz Hansen, showing pk80 daybed in live shot.
PK80 Daybed by Fritz Hansen, showing pk80 daybed in live shot.
PK80 Daybed by Fritz Hansen, showing pk80 daybed in live shot.
PK80 Daybed by Fritz Hansen, showing pk80 daybed in live shot.
PK80 Daybed by Fritz Hansen, showing pk80 daybed in live shot.
PK80 Daybed by Fritz Hansen, showing pk80 daybed in live shot.

Meet the designers

Fritz Hansen

Fritz Hansen has been making furniture in Denmark since 1872, long enough that several of its chairs stopped being products and became shorthand for the century that produced them. The Egg and the Swan were drawn for the lobby of a Copenhagen hotel in 1958 and have not been out of production since. The Series 7 and the Ant came earlier, pressed from thin sheets of veneer into a shell that bends where a back actually bends, which is why a stack of them still turns up in dining rooms seventy years on.

What holds the range together is restraint. Arne Jacobsen's shells, Hans Wegner's China Chair, the Analog and Essay tables, the Caravaggio pendants: different decades and different hands, but all of them drawn to be looked past rather than at, so a room can be about the people in it.

The catalogue runs well beyond the famous shells. There are lounge chairs and footstools, office chairs that take the same shell seriously under a desk, dining and coffee tables, lighting, trays, cushions and the small objects that make a house feel finished.